Gaël Badaud Movies

  • 1978
    Cristaux

    Cristaux

    Cristaux

    101978HD

    The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an...

    Cristaux
  • 1983
    4 à 4 Métro-Barbès-Rochechou-Art

    4 à 4 Métro-Barbès-Rochechou-Art

    4 à 4 Métro-Barbès-Rochechou-Art

    61983HD

    In the early '80s, this collective of artists invented a style of cinema made in 4 hands, where each of the protagonists is also a filmmaker.

    4 à 4 Métro-Barbès-Rochechou-Art
  • 1981
    Visiteurs + Portrait de Gaël

    Visiteurs + Portrait de Gaël

    Visiteurs + Portrait de Gaël

    01981HD

    Diary-films, portraits of visitors. Visiteurs is the result of great editing work, while Portrait de Gaël was made in two times, two places,...

    Visiteurs + Portrait de Gaël
  • 2004
    Téo

    Téo

    Téo

    02004HD

    Téo
  • 1983
    Chutes de Feuilles d’été

    Chutes de Feuilles d’été

    Chutes de Feuilles d’été

    01983HD

    Chutes de Feuilles d’été
  • 1987
    Le printemps

    Le printemps

    Le printemps

    01987HD

    Le printemps
  • 1981
    Sous la neige

    Sous la neige

    Sous la neige

    01981HD

    Sous la neige
  • 1978
    Gestuel

    Gestuel

    Gestuel

    01978HD

    This film is the most "plastic", the most "actionist" of Nedjar: it is his In contextus or his Double Labyrinth. Except that here - a single actor...

    Gestuel
  • 1977
    Esmeralda

    Esmeralda

    Esmeralda

    01977HD

    With Esmeralda, Hernandez shifts to the romantic mythology, but this descriptive aspect is secondary in the filmmaker's work, whose purpose is the...

    Esmeralda
  • 1981
    Gong

    Gong

    Gong

    01981HD

    A gong will never abolish chance? If chance is travesty of desire, and desire movement without measure, cinema is vibration of this desire in fugue.

    Gong
  • 1980
    Au cœur du cristal

    Au cœur du cristal

    Au cœur du cristal

    51980HD

    The song composed by the author modulates the phases of the film and constitutes, in its entirety, the specific form of a call.

    Au cœur du cristal