Michael Snow Movies

A 1971 experimental Canadian film directed by Michael Snow. Shot in the Canadian mountains over a period of 24 hours using a robotic arm.

Panning shot of a room while a group of people discusses film while eating at a table.

"Vanity. Had a beard. Appearance (looks). Looking. Disappearance act. Hand-made fades and zooms but camera made shave. Camerazor. Handsome. Tired....

To Lavoisier Who Died in the Reign of Terror (1991) is a collaboration with filmmaker Carl Brown, who specializes in homebrewed chemical film...

Hand processed 35mm portrait of Michael Snow.

Reel 5 of Gérard Courant's on-going Cinematon series.

"Homage to Michael Snow's environmental sculpture 'Blind.' The film proposes analogies, in imitation of three historic montage styles, for three...

This is the sound recording of the interview that Michael Snow, filmmaker, sculptor, photographer and visual artist, gave to Gérard Courant...

As the wheel turns, the religion of the body moves to and through the physical into the psychological. We see the feared, all is moved. There is a...

Michael Snow's 1970 film A Casing Shelved combines a projection of a 35mm slide showing a bookcase in Snow's studio with a tape-recorded narration by...

A new performance that reworks the 1967 film’s sine wave soundtrack into a new composition distributed across multiple channels of sound in...

World renowned artist and filmmaker Michael Snow continues to push the boundaries of yet another field, music. The avant-garde greats mastery of...

Watch slides of Michael Snow's paintings from the worst seat in the house.

A man (Snow himself) rises from his desk, puts on his scarf and coat, says goodbye to a woman typing at a nearby desk, and leaves the room.

A shorter, significantly altered version of Wavelength (1967), where the original film is overlayed upon itself.

Portrait of Michael Snow

Interview and profile of experimental filmmaker Michael Snow from 1983. Includes extracts from 'Back and Forth', 'Wavelength', 'La Region Central',...

A loop of two parts of a film, superimposed on top of one another, that concern a man who has arrived at the house of his lover and her husband to...

A cross-hatched fantasy about nocturnal furniture love.

Although Seated Figures is characteristically confined by a specific placement of the camera — in this case, fixed to the rear of a pickup...